xerographic$92726$ - meaning and definition. What is xerographic$92726$
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What (who) is xerographic$92726$ - definition

PHOTOGRAPHY GENRE
Copy art; Electrostatic art; Xerographic artwork
  • 3D color copy art by Ginny Lloyd
  • Sample of copy art manipulation by Ginny Lloyd
  • ''Puppets'', a 2002 photo of a lithograph from xerographic direct imaging of two 20th century hand puppets
  • Still image from Chel White's short animated film, "Choreography for Copy Machine (Photocopy Cha Cha)”.
  • The set up Chel White created for his direct photocopy technique. In addition to four side lights (three of which are pictured), there is a top light positioned behind a sheet of frosted glass that allows for the silhouettes of people and objects to be visible.

Xerox art         
Xerox art (sometimes, more generically, called copy art, electrostatic art, scanography or xerography) is an art form that began in the 1960s. Prints are created by putting objects on the glass, or platen, of a copying machine and by pressing "start" to produce an image.
Xerography         
DRY PHOTOCOPYING TECHNIQUE
First photoconductive copy; First Photoconductive Copy; Electrophotography; Xerographic; Xerographics; Electrostatic photography; Laser Printing Process; Dry writing; Xerograph
Xerography is a dry photocopying technique. Originally called electrophotography, it was renamed xerography—from the roots
xerography         
DRY PHOTOCOPYING TECHNIQUE
First photoconductive copy; First Photoconductive Copy; Electrophotography; Xerographic; Xerographics; Electrostatic photography; Laser Printing Process; Dry writing; Xerograph
¦ noun a dry copying process in which powder adheres to parts of a surface remaining electrically charged after being exposed to light from an image of the document to be copied.
Derivatives
xerographic adjective
xerographically adverb

Wikipedia

Xerox art

Xerox art (sometimes, more generically, called copy art, electrostatic art, scanography or xerography) is an art form that began in the 1960s. Prints are created by putting objects on the glass, or platen, of a copying machine and by pressing "start" to produce an image. If the object is not flat, or the cover does not totally cover the object, or the object is moved, the resulting image is distorted in some way. The curvature of the object, the amount of light that reaches the image surface, and the distance of the cover from the glass, all affect the final image. Often, with proper manipulation, rather ghostly images can be made. Basic techniques include: Direct Imaging, the copying of items placed on the platen (normal copy); Still Life Collage, a variation of direct imaging with items placed on the platen in a collage format focused on what is in the foreground/background; Overprinting, the technique of constructing layers of information, one over the previous, by printing onto the same sheet of paper more than once; Copy Overlay, a technique of working with or interfering in the color separation mechanism of a color copier; Colorizing, vary color density and hue by adjusting the exposure and color balance controls; Degeneration is a copy of a copy degrading the image as successive copies are made; Copy Motion, the creation of effects by moving an item or image on the platen during the scanning process. Each machine also creates different effects.